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for William Safire

I worked construction the summer

I turned sixteen, thinking it would be

a quick way to make money for beer

and drugs. My friend Pete’s father

owned the company, and he promised

me and my friend Mac that if we worked cheap,

under the table for the summer, he’d see to it

we’d get ten bucks an hour in the fall.

I saw this as a quick fix, rather than what it was,

the beginning of a long series of bad jobs

that broke my back and spirit, that made me

wish I could use my brain instead of my body

to earn a wage. I had no idea that I’d never see

the ten dollar job, that Pete’s father

was an asshole who used us for two months

to dig a foundation and haul scrap iron.

I had no idea, either, that beyond

the horizon of that construction site

lay an equally unpleasant assortment

of labors: glasscutter; janitor; housepainter.

And more: garbageman; stockboy; salesman.

I didn’t want to end up like my father,

almost forty years inside the steel mill,

and when he was gone, no insurance,

no pension, no stories to tell. Mac and I quit

when we realized that Pete’s best friend Joe

was the only one who was going to get the fall job,

and one night at Fairmount Lanes, Pete

and Joe walked in and Mac decided we were

going to take out some frustration on their heads.

He was going to take Pete; I’d take Joe.

And the truth is if we’d gone through with it,

we’d've gotten our asses kicked, drunk as we were,

strong as they were, and that’s how it is

in this life, and if you think it’s different than that,

if you think some angel’s going to watch over you

and make sure you get the ten dollar job,

and the Petes and Joes get the shaft, then you might

as well try to make a living as a writer, get a job

digging ditches and write how it feels to have

calloused hands and sore muscles, how it feels

to work hard for your money for some bastard

who thinks of you as a mule or a cow, and wait

and see if some hot shot agent in New York

doesn’t call you up and say, “Your foreman tells me

you’re writing a novel. I’d like to see your work.”

-Chris Kennedy